radio commercial production
Transmitter
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Takes your
broadcast message from your studio room, encodes it as sine waves and
transmits it as radio waves.
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Receiver
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The receiver
receives the broadcast message and decodes the radio sine waves (simply put,
a radio set).
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Antenna
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For sending
radio signals. Required one each for transmission and receiving of radio
waves.
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Transmission
Lines
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Used to
transfer radio signals from one location to another. (say from the studio to
the location of transmitter)
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Audio
Processor
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Used to
improve and optimize the quality of sound to be broadcast. These days
inexpensive software programs undertake this function.
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Connectors
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For
connecting various equipment’s to each other.
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Interface
panel remote control
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Interface
panel is used to input broadcast data into transmitter (Basically an
interface between studio and transmission site). Remote control is required
to be able to feed those data from far off (say from your studio)
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Cable
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For
connecting equipment’s located at a distance from each other.
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Equipment
Rack
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For holding
all equipment’s in a stable, secure and logical manner.
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Power
Protection equipment’s
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To supply
power and protect the equipment’s from unwanted power fluctuations.
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UPS
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For
uninterrupted power supply.
The S0 is a
high quality yet simple to operate radio broadcast mixer ideally suited to
community radio stations, for educational purposes and for internet radio.
Easy to understand, the S0 includes a telephone hybrid for making and
recording telephone calls and a 3.5mm stereo jack for plugging in an mp3
player. The addition of a USB port allows for recording to a PC and for
playing a PC automation system directly through the mixer. The headphone
outputs have a built in limiter to offer hearing protection and the studio
speakers mute when a microphone fader is open, with automatic mic live sign
switching. The S0 allows presenters and DJs to be up and running
quickly with a fully featured radio studio mixer.
http://familypsalms.com/equipment/
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wwww.careerpage.org/jobtypes.php
ACCOUNT
EXECUTIVE - The
person who sells advertising time and works closely with businesses to help
them market themselves to the station's listeners or viewers.
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ANNOUNCER - Announcers are a radio
station's "voice" and are often the people with whom the public identifies.
This person introduces programs and music, reads commercial copy and public
service announcements, and is involved in the overall public presentation of
the station.
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CHIEF
ENGINEER - The
chief engineer is responsible for the technology necessary to put the
station's broadcast on the air. The engineer works to maintain broadcasting
capabilities and provide quick solutions to problems that may arise with the
transmitter, tower, satellite receiver and other related equipment.
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COPY WRITER - This staff member
writes commercial and promotional copy in support of the station's sales,
marketing and promotion efforts.
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GENERAL
MANAGER - The
person responsible for the overall operation of a station. This position
requires business knowledge, leadership ability and a technical understanding
of how a station operates.
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GENERAL SALES
MANAGER - This
person hires and supervises the sales staff, reviews programming for the best
sales opportunities, develops sales plans and goals, oversees billing,
studies and understands the station's market and approves all sales promotion
campaigns. Some stations have multiple levels of sales managers, including
National, Regional and Local sales managers who focus on various aspects of
sales.
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MAINTENANCE
ENGINEER - The
maintenance engineer installs and performs preventive maintenance on the
station's control consoles, boards, recording equipment, microphones, and a
wide variety of other station equipment and electronic systems.
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MUSIC
DIRECTOR - This
person manages the station's music library and works with the program
director in selecting new recordings to be played as they are submitted by
record companies.
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NEWS DIRECTOR - The news director runs
the news department. The news director assigns stories to reporters on staff,
monitors the wire service and is involved with identifying the important news
issues within the community.
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PRODUCTION
DIRECTOR - The
production manager assigns announcers, schedules studios, arranges recording
sessions, produces commercials, and directs programs.
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PROMOTION
DIRECTOR - This
position promotes the station's image, programs and activities. The promotion
director works closely with the program director to create on-air promotions
and also with the sales department in securing new clients and maintaining
current advertisers.
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PROGRAM
DIRECTOR -
Responsible for the entire on-air product, the PD governs the sound of the
stations. With control over production, talent, work schedules, and program
schedules, the PD's programming objectives support the goals of the general
manager and the general sales manager.
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RECEPTIONIST - The duties of the
receptionist vary according to the size of the station. This position is
ideal for understanding all the aspects of how a station operates.
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SALES
ASSISTANT - This
position offers support to the sales staff and managers by handling much of
the office work, including drafting proposals, which allows the sales staff
to focus on meeting with clients and developing business.
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SPORTS
DIRECTOR - This
position is similar to the news director position. Sports directors often
handle the play-by-play coverage of local sporting events. Stations that do a
lot of sports sometimes hire a "color" announcer to complement the
play-by-play talent.
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TRAFFIC
DIRECTOR -
Collects data from other departments in order to prepare a minute-by-minute
schedule for the broadcast day. The traffic person is the daily link between
the sales department and programming department, keeping up-to-date
commercial time availability.
The spaces
used are big areas because their for they can have more space for my
equipment and the signal in the room would be good their for the broadcast
would be clear.
Creative
Producer
Radio
producers are the organised and creative people whom co-ordinate the content
of radio shows. The presenters are the main attention of any production, but
without the producer the production wouldn't exist as they determine the
structure of the broadcast, makes sure that everything sounds perfect,
manages the production team and makes sure everyone knows what they are
doing.
Recording
Engineer
A recording
engineer works in recording studios making sure there are high quality sound
recordings, for the entertainment industry. The complex equipment to
reproduce music, dialogue, sound effects and other audio content to the
highest quality. A recording engineer will set up the performer's equipment
and instrument in the studio, manage the sound levels and dynamics, record
the sound, mix tracks on tape and then edit the recording into a final mastered
product.
Copywriter
A copywriter
works with an art director or an advertisement. They work with client briefs
to develop and produce an advert. The copywriters are responsible for the
content of the adverts as they compose advertorial contents such as slogans,
tweets and scripts for a radio advert.
Voiceover
Artist
Voice over
artists work within commercials promotes a product, delivering a message. The
particular voice over artist is often hired because of how their voice is and
how it relates to a product. Some clients hire celebrities for their adverts
because of the "Star theory" as people may buy a product because
their favourite singer is promoting it.
Radio rooms
control room
is were all the main equipment they would use in the radio station such as
the computers etc and where everything is mainly recored.
live room is
a much bigger room which is made for bands and that t is made out of wood it
is made out of wood because the sound bounces of the walls making it sound
better.
vocal booth
is a small room, dead sound which is were the people go to recored and in
there the sounds are really flat and plain
production library
A production music library
would be used by DJs and producers in radio shows, maybe a sound of laughter,
or a Fx as time being hit when someone tells a joke, they are those
sudden little sounds that can be thrown in to make someone laugh and make a
show more enjoyable.
For instance with Kiss, they
throw their jingle of Kiss in the middle, or at the beginning or the end of a
song, to stop people taking their mixes and tracks and putting them in their
own sets, radio shows, etc, but as well as this, they could use the looped
sounds and music libraries for these purposes to add to their jingles and
their brand advertisements.
Out sources
out sourcing is when you send your work out for someone else to work on it for example you can send your work to a artist to work on.
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